Call sheets[]
These were typed up the night before the next day's shoot.
unknown date, #3
October 19, 1972 #9, pg 1, pg 2
Lorraine Peters contracts[]
October 13 (for the 15th) - Naked girl (pg 1, pg 2) This is most likely for the scene of the naked girl crying on the gravestone.
November 3 - Naked girl (pg 1, pg 2) This is most likely for her being the body double for Britt's naked dance.
Jake Wright's set index[]
The front page is a chart found in Brown's book that shows what scenes were shot or not. (See also shot or not list.) Several copies of the set index were made for various production people. Jake's has notes but hasn't been seen other than the cover. Inside them would list the set, scene, day or night, pages (script pages), characters, crowd needed, props, synopsis and notes, and location for each location. These were planning documents.
Seamus Flannery's set index[]
A chart found in Brown's book that shows when Seamus Flannery and his crew expected to build, dress and when the scenes would be shot. This was written up before shooting started so plans changed soon after shooting began so this was a planning document.
Cross Plot document[]
A chart that shows where and when they planned to shoot. Things changed after it was written.
Movement orders[]
These are instructions on where to park, eat and how to deal with each location. They were typed up the night before each day's shoot.
#6, 10/24, 10/25, 10/26, Burrow Head,
#22 part of call sheet #22 (see above two pics), 11/3, Whithorn, scenes 97, 126, 127, 128, 129, 43, 47, 117, 118.
#29 (greenhouse potting shed threave) - Threave shoot is noted on call sheet #29, 11/11 (as well as Culzean.), scenes 83B, 84, 85.
#31, ext greenman and high street - Attached to call sheet #31, 11/13 which has the Cally Estate Office and the Ellangowan on it. See also this map which was on the back of that movement order. Cally Scenes: 18D, 19 pt, 48, 49, 50, 51, 78 (Day) and 33, 37 and 40 (Night)
Editor's script[]
Was thought to be a "camera man script" first. "Studio Canal asked Robin Hardy about this script and he confirmed it was not a camera man's script as I had first thought." - Fintan Coyle (Facebook Wicker Man group.)
BFPA Equity Agreements (contract between artist and company)[]
Lorraine Peters contracts, October 13 - as girl crying on grave (pic 1, 2) and November 3, 1972 - as Britt's body double (pic 1, 2 )
Wicker Man drawings[]
Drawn by Seamus Flannery, the art director, before the shoot began. Drawing #5 was the version they settled on.
EMI financial statement[]
Received from Allan Brown April 18, 2021.
Unit list[]
A list of the crew with addresses and phone numbers. The one's I've seen listed people in the crew that were planned on. Many ended up not being used.
Page 1, page 2, page 3, page 4.
Daily progress reports[]
These were typed up and sent to Film Finances at the end of each day on set. Film Finance controls them and has only shared them with researchers they have approved. They are mentioned in academic studies. They are probably the best source of information about what happened on each day as they list what scenes were completed and partially shot, what cast and crew were needed, other notes about the shoot including props needed and who arrived and departed on those days as well as whatever went wrong. Out of the 48 days of the shoot between Oct 9 and Nov 25, Film Finances are missing 8 days, 20 scenes.
Film Finances has other production documents as well, including:
-a typed "progressive shooting schedule". This was a planning document but shows what was accomplished on each day's shoot in some cases.
-a handwritten schedule. It is uncertain who wrote this but it has all kinds of interesting info about what was to happen. It seems to be written before the shoot.
-a schedule for Ernie Shepherd. This appears to be a document that shows what happened but it does not match the progress reports.
- budget documents. Academics have written about these.
- letters and memos. Academics have written about these.